The narrative voice as picture maker’: analyse comparative entre la nouvelle de E. Wharton ‘The Old Maid’ et son adaptation cinématographique.

Christine Evain

Conference papers

The narrative voice as picture maker’: analyse comparative entre la nouvelle de E. Wharton ‘The Old Maid’ et son adaptation cinématographique.

Christine Evain ¹

Mots-clés : Wharton Edith (1862-1937) -- Critique et interprétation Wharton Edith (1862-1937) -- The Old Maid -- adaptations

Document type :

Conference papers

Domain :

Humanities and Social Sciences

Humanities and Social Sciences / Literature

Complete list of metadata

https://hal.univ-rennes2.fr/hal-01980605
Contributor : Laurence Leroux <>
Submitted on : Monday, January 14, 2019 - 3:24:59 PM
Last modification on : Monday, January 20, 2020 - 3:27:22 PM

The narrative voice as picture maker’: analyse comparative entre la nouvelle de E. Wharton ‘The Old Maid’ et son adaptation cinématographique.

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The narrative voice as picture maker’: analyse comparative entre la nouvelle de E. Wharton ‘The Old Maid’ et son adaptation cinématographique.

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